Inspired by recent research, I created a series of geometric patterns to explore moiré effects – the mesmerising interference patterns that emerge when repetitive designs overlap.
Set up
I designed around a dozen patterns in Illustrator, working from a 200x200mm art-board and experimenting with various effects. After printing two copies of each pattern onto acetate using a standard inkjet printer, I began testing how the patterns transformed when layered at different spacings.
My first attempt used Katie’s multi-plane rig to create the layered effect, but the results were disappointing as the bottom layer appeared too faint and the lighting wasn’t quite right.
The second iteration was more successful. Using a light-pad provided easier manipulation and better control, while the backlight created the vibrancy and contrast the moiré patterns needed to really shine.
Pattern #1
Pattern #2
Pattern #3
Pattern #4 (flat)
Pattern #4 (space)
Pattern #5
Pattern #6
Pattern #7
Reflections & learning
This first experiment exceeded my expectations. Patterns 1, 2, 4, and 5 particularly spring to life when overlaid. The harsh black lines against bright white create a striking contrast, and I’m drawn to how the uniform, geometric originals transform into something organic and unpredictable when layered.
What excites me most is how these patterns address a challenge I’ve grappled with: translating the energetic, somatic sensations of meditation into visual form. In an earlier post, I wrote about feeling frustrated that traditional media – inks, watercolours, pastels – felt “rather flat and uninspiring compared to the intensity and dimensionality of what I’m experiencing internally.”
These moiré patterns capture that quality. They possess a dimensionality and intensity coupled with randomness and sporadic movement. They genuinely come alive, especially when animated. There’s a yantra-like quality that becomes mesmerising, almost hypnotic.
This connects directly to my MA vision: exploring how perceptions can be challenged and altered using external stimuli to help make sense of something beyond the senses. The patterns do alter perception and there’s an aliveness that transcends the static geometry of the source material.
Next steps
- Develop patterns 1, 2, 4, & 5
- Using different colours, textures, line widths, brushes, noise/particles
- How will movement be created?
- The viewer moving their position/focus?
- As part of the art piece itself? ie. robotic arm?
- Create organic versions by hand using Procreate (same/new patterns)
- Learn more about the science behind moiré effects, spanda, magnetic waves
- Move onto Phase 4 of the plan & the acrylic fabrication