I ran the ThoughtCounter experiment with four more people today. Some clear patterns are emerging, along with one challenge.
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Artists who have explored similar territory
After developing the ThoughtCounter idea and running some initial tests, I’ve been looking at artists who’ve explored a similar area – using measurement, technology and direct experience to investigate consciousness. Three artists stand out as particularly relevant.
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Beyond thoughts: What else can’t be sensed?
My yoga instructor inspired me with something she said in Tuesday’s class… “notice your mind, notice your heart, notice your body”.
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ThoughtCounter: First test
I ran the first test of ThoughtCounter with my partner Katie.
The setup: I asked her first to sit for 30 seconds, focus on her breath, calm her mind. Then I gave her the simple instructions: click the pen whenever a new thought arises. That’s it.
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Counting thoughts
I have an installation idea that I’m excited about. It’s called ThoughtCounter.
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What am I actually making work about? Reviewing my interests
Watching Mark Farid and Michael Landy speak about their work, I noticed how clearly they were articulating their practice. I’m at the beginning of my MA, and my practice still feels a little vague and it’s constantly evolving.
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Quick tests: Mark-making, moiré cones, and colour
Following my catch up with Jonathan, I ran some quick experiments exploring mark-making, three-dimensional forms, and colour – to see what directions felt worth pursuing further.
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Art practice as a direct route to dismantling ego
Instead of creating work and installations to challenge perceptions and get a truer sense of Self, what if I use my MA project to systematically and directly expose and work through my own ego attachments?
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Exploring movement, depth, and disruption in moiré work
I had an impromptu 121 with Jonathan (course leader) and the conversation opened up several new directions and he introduced me to some brilliant artist references. Here are my key takeaways.
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Developing the work: Tunnels, voids and material experiments
While waiting for my CSM technical induction to begin the acrylic fabrication phase, I’ve been meditating with the moiré patterns on a large screen, trying to imagine what it would be like to be fully immersed within the work. Several new directions emerged from this.
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